What do UFOs have to do with it?

I’ve noticed recently how those sincerely interested in the UFO mystery can at the same time dismiss the idea that the phenomenon might possess a more general import. Here and elsewhere I’ve read comments such as, “the UFO culture is now purely entertainment,” “the number of people who actively engage with the UFO topic on a frequent and regular basis (go beyond merely occasionally watching a video clip, listening to a sound bite, or scanning an article) represents a small percentage of the US population,” and that the “real UFO conspiracy [is] why the UFOs have become a joke and such an embarrassing subject in ‘serious’ conversation,” all in stark contrast to the unabashed and breathless enthusiasm of those fascinated by the idea of  Disclosure (that at least one of the world’s governments has been in contact with extraterrestrials (ETs) for decades and has been gifted or back-engineered their technology).

“The UFO topic” that that “small percentage” of the population engages with is approximated by, for example, recent stories concerning U.S. Navy encounters with apparently anomalous aeroforms and History’s latest series Project Blue Book and Unidentified: Inside America’s UFO Investigation. As has been the case since Donald Keyhoe wrote his books, in this arena the UFO is invariably imagined to be either an extraterrestrial spaceship or maybe a domestic or foreign aeronautical breakthrough, even for those not unacquainted with Jacques Vallée’s Magonians, John Keel’s ultraterrestrials, or even Mac Tonnies’ crypoterrestrials, or more recent speculations concerning other dimensions and times. The demographic represented by this “small percentage” is imaginably very slight (though one does wonder just what empirical research would in fact show).

On the other hand, since 1947, consistently roughly half the population in North America and Europe believe “flying saucers are real” (however seriously), and, over the same time, the UFO and the ufonauts have invaded and colonized popular culture, so that the UFO as a cultural phenomenon now has a higher brand recognition than, say, Odysseus and Ulysses. It is precisely this liminal ubiquity—being both everywhere but hardly at the centre of attention—that empowers the UFO and ET to express something of, and thereby illuminate, if not overtly influence, the culture at large.

The UFO-as-sign (as a vehicle of meaning) functions both factually and fictionally, regardless of whatever reality the UFO might ultimately turn out to possess. As something taken as real, it has clearly reflected the anxieties of the times. Jung, as is well-known, argued the flying saucer functioned as a compensatory mechanism for the anxieties provoked by the Cold War. On one hand, its circular, mandala shape symbolized the unity absent from a sundered world, while, on another, its seeming a spaceship from a technically-advanced society made it a deus ex machina, an otherworldy, salvific intervention into what seemed a perilous, humanly insoluble crisis. His insight was confirmed by the pacifist messages delivered by the Space Brothers of Adamski and the other Contactees of the 1950s. Decades later, with advances in reproductive technologies, such as the Human Genome Project, the potential for human cloning, and in vitro fertilization, little wonder the hypnotically-induced fantasies of women who believed they’d been abducted by aliens should express the anxieties proper to their time and gender, or that abductees in general sometimes claimed they were shown images of global, often ecological, catastrophe by their abductors just at the time ecological consciousness was dawning toward the glaring near-noon zenith it has reached today.

Given the spontaneous significance attributed to “the visionary rumour” of the UFO and ET contact, it should come as little surprise, likewise, that the creative imagination should find in it an endlessly fecund figurative resonance. Cinema (as Robbie Graham would likely agree) and to a lesser extent television perhaps more than any other media have made the most of this material, as, for example, a metaphor for race (in the films The Brother from Another Planet, Alien Nation, or District 9), global warming (The Arrival), mass extinction (The X-Files episode “Fearful Symmetry”), and the insatiable rapaciousness of capitalism (Independence Day).

For example, the remake of the classic The Day the Earth Stood Still twists together the anxious and the hopeful. On the one hand, the alien Klaatu is sent to earth to oversee the destruction of every trace of humankind and its civilization that are rendering the planet uninhabitable for complex life; however, nonhuman, animal organisms are taken up by spherical craft that serve as arks to preserve them from the cleansing process so they may be reintroduced after its completion. Fortunately, Klaatu is persuaded to avert the eradication of human life and, instead, brings to a standstill the technology whose destructive effects brought about the crisis. (The credits roll too soon, though: the results of a global cessation of mechanical technology would doubtless prove catastrophic, resulting in, among other things, mass starvation, with the paralysis of transportation, food processing, and agriculture, a far more cruel, drawn-out process of eradication than the one initially proposed by Klaatu’s civilization!).

The ecological focus and critique of “development” are clear; the imagined solutions, however, are, ironically, hopeless:  humankind itself is incapable of collective action to avert ecological destruction; it, therefore, stands in need of an external, overpowering intervention, whose only proposed solutions are the elimination of homo sapiens (in line with the biocentric ideology of EarthFirst! or the more recent philosophy of anti-natalism) or of the technologies of the so-called developed world. The film’s solutions to our very real problem are less acceptable than the premise of the film as a whole, framing the urgent crisis at its heart as insoluble, inspiring either a resigned fatalism, or, more charitably, a reflective search for alternatives to the unacceptable dilemma posed by the film itself.

The cinematic versions of 2001:  A Space Odyssey and 2010:  The Year We Make Contact develop the theme of the deus ex machina, but along a slightly different trajectory. Both are stories about the guided development (mental or spiritual if not morphological) of anthropomorphic life, from the proto-, to the human, to the meta- or hyperhuman. The genius for tool-use, from a bone-as-club to interplanetary spacecraft and AI, is sparked in the genus Homo by an extraterrestrial agent, represented by an enigmatic, black monolith. One such monolith discovered on the moon, prompts an exploratory expedition to Jupiter, where astronaut Dave Bowman is “evolved” to a superhuman being. In the sequel, a subsequent expedition to discover what happened to the first sets in motion the transformation of Jupiter and its moons into a miniature solar system, a supplementary space for human habitation and resource extraction intended to ease tensions on an overcrowded earth that narrowly escapes nuclear war.

In this fictional universe, the Promethean spirit of technological ingenuity (and power) is posited as a kind of divine spark. Striking it in the protohuman creates a being in the image of the mysterious makers of the black monolith, who guide and shape humankind to ever higher technological achievement and biological/spiritual development ultimately, one might suppose, with the goal of having us attaining their level. It is difficult not to detect a value system underwriting this narrative. Ironically, technological sophistication (e.g., the capacity to invent and build weapons of mass destruction) is not accompanied by a moral or social sense equal to governing the species-suicidal potential of our technical know-how, so, otherworldly intervention is needed. Two problems present themselves. First, if technological savvy is not accompanied by the collective intelligence necessary to control it, then how did the makers of the black monoliths survive this impasse? Secondly, the solution they provide is stop-gap: the essential problem of infinite growth in a finite environment that characterizes the economic system of capitalism, whose advent underwrote the Industrial Revolution, is only temporarily solved by adding more Lebensraum and exploitable resources. The solution to earth’s problems in 2010 seem in hindsight a metaphor for the planned exploration and resource extraction within the solar system and the asteroid belt, the setting for the television series The Expanse and an important assumption in Aaron Bastani’s manifesto, Fully Automated Luxury Communism. In this case, the imagined solutions to our real problems amount to either faith (indistinguishable from the Christian’s that all works out in God’s plan for humankind) and/or more of the (doomed) same.

In both fact and fiction, then, the UFO and ET appear within the horizon of, and expressing, the existential crises of our time, solving by means of their superiour technology the dire problems the development and deployment of our own have brought to pass. The human being, moreover, plays a singular, special role:  the ufonauts spontaneously recognize homo sapiens as their earthly counterpart among all the other species of life on earth, because of a shared Promethean character, due either to their having implanted it in us or to its being natural to intelligent life:  intelligence implies tool-use, which is merely nascent technology. In the real world, even in arguments offered for the Search for Extraterrestrial Intelligence (SETI), the mere fact of an existing, vastly more advanced technological civilization is evidence that ours can navigate the impasse that threatens to destroy our own, either by following their example or, as in the cinematic examples above, through their direct intervention.

It is precisely, however, the way ET mirrors ourselves, is a projection of ourselves, that gives the game away and reveals an important, if not the primary way, the UFO mythology works in society at large. As I have argued repeatedly and at length here and elsewhere, positing anthropomorphic intelligence, tool-use and technology as natural (universal) propensities to life-as-such is to treat as universal one very geographically and historically local and contingent social formation, namely that of the so-called “First” or “developed world”. This megalomaniacal projection of the aleatoric trajectory of one portion of the population of one form of life on earth finds a mythical legitimation in, for example, the book of Genesis wherein God creates Man in His own image and a science-fictional one in the universe of 2001 and 2010 wherein an extraterrestrial agent plays both a Promethean and parental role. In either case the destiny of humankind is imagined to be fated, necessary, and, divinely or otherwise, ordained.

The solutions to humanity’s problems proposed in both The Day the Earth Stood Still and 2010 drive this point home all the harder. Either humanity and all traces of it need disappear, or its technology must cease operating, or it must stay the course. None of these are workable. This apparent impasse however results from the assumed inalterability of the status quo:  the unspoken (because unspeakable) solution is social change. As Fredric Jameson put it so well:  “It’s easier to imagine the end of the world than the end of capitalism.” In its affirmation of existing society, in both its factual and fictive forms the UFO-as-a-sign functions ideologically, maintaining the status quo by occluding the possibility of imagining that things might be otherwise.

Ironically, cinematic pop culture performed this ideology critique already in 1988, in John Carpenter’s They Live!. In this film, the earth has already been colonized by a malevolent alien race that maintains its power by means of a technology that creates an illusory world, that of North America in the late twentieth century. The protagonist has his eyes opened to this reality when he dons a pair of sun glasses with the power to reveal the subliminal messages of advertising and entertainment, etc. that keep humanity in its virtual chains. The deliciousness of this plot is double: the capitalist ruling class is shown “in reality” to be a repulsive, cowardly alien race, thereby inverting the motif of the ET-as-benevolent-saviour in Jung, the Contactees, and 2001 and 2010.

[Interested parties are invited to hear philosopher Slavoj Žižek present his reading of They Live! as ideology critique in his own, inimitable manner!]

Because the UFO mythology is both ubiquitous and liminal, the actual percentage of the population that might admit to consuming either documentary or fictional UFO material is beside the point. The myth is “in the air”, vaguely familiar to everyone, but hardly considered by anyone, a status that enables it to function just below and at the edges of conscious thought. When it does intrude on consciousness, as either fact or fiction, the UFO-as-sign mirrors back to us after its fashion not an Otherness but an insidious Identity. It signifies in this way through no fault of its own; a mirror can only reflect what is in front of it, and, in this case, that is the world capitalism and technology, industrial or otherwise, have made. That the UFO should appear in this way, enlisted in the maintenance of an ecocidal order, is a crime against humanity in particular and life in general, that something that should be out of this world and therefore throwing that world into relief, estranging it through difference, revealing it in all its contingency and alterability, becomes something pitifully, pathetically human, all-too-human.

 

 

 

 

 

 

 

 

 

The old Protagorian con

In the comments on a particularly Gnostic-pessimistic post at UFO Conjectures, one interlocutor makes the following remark:

‘Creation’ is humanity’s ‘raison d’etre’ and is ultimately what distinguishes us from other sentient creatures, including other intelligent ‘higher primates’.

Ok, apes, crows & other species make tools &/or elaborate constructions to attract potential mates but there’s no orang-utan ‘Art’ or chimp ‘Science’ (beyond figuring out how best to access food).

My first impulse was to question this claim factually, with a quick internet search, which revealed, among other things, the arfulness of Amblyornis inornatus (Vogelkop Bowerbird). I was also reminded of a remembered passage from Joseph Campbell’s Primitive Mythology describing a circular dance by, I think, chimpanzees. But then on some reflection I realized I’d fallen for the particularly insidious assumptions that underwrite the claim for humankind’s special, creative status.

The bias of the thinking is revealed by analogy with the comparison of “advanced” to “primitive” cultures, by and to the advantage of the former. As Jerome Rothenberg observes in the Pre-face to his groundbreaking assemblage, Technicians of the Sacred (1967):

“Measure everything by the Titan rocket & the transistor radio, & the world is full of primitive peoples. But once change the unit of value to the poem or the dance-event or the dream (all clearly artifactual situations) & it becomes apparent what all these people have been doing all those years with all that time of their hands.”

In the same way, measure everything by the Sistine Chapel or Quantum Mechanics, and the world is full of uninspired, dim nonhuman animals, but once change the unit (or focal species) of measurement, and the world thrives with not only creativity and intelligence, but nonhuman powers and virtues, as well. The young William Butler Yeats mocks anthropocentric pretense with an eloquent simplicity in his poem “The Indian Upon God”.

There’s a reason philosophers in the Twentieth century coined the expression ‘ontotheology’: for the fateful confluence of Judeaochristianity (in which Man is created in God’s own image) and Platonism (and, with it, the inheritance of Hellenic thought) shores up an anthropocentrism that has reigned from then until now. It was most famously Protagoras of Abdera who is said to have stated that “Of all things the measure is Man, of the things that are, that they are, and of the things that are not, that they are not,” usually rendered as “Man is the measure of all things.”

The identification of “creativity” with human creativity is part and parcel of the identification of “intelligence” with human intelligence that roots and orients the Search for Extraterrestrial Intelligence and the Extraterrestrial Hypothesis about the origin of UFOs. It is also, arguably, this anthropocentricism that justifies the ways of Man to himself in his exploitation of every being on (and, in the planning stages) off the earth as either raw material or commodity, a mode of behaviour that has resulted, most poetically, in mussels being cooked alive at low tide in the superheated waters off the coast of California.

Photograph: Jackie Sones

 

There are no repeats in space

Avi Loeb, the Harvard Professor of Astronomy is at it again. Professor Loeb is most famous of late for his conjectures that the interstellar object Oumuamua might be an alien spaceship. Most recently remarks he made at The Humans to Mars Summit (14-16 May 2019) concerning the value of the search for extraterrestrial intelligence (SETI) have stirred some interest.

I haven’t had the time to fast forward through the three days’ live streaming to find Professor Loeb’s talk, but the idea of his that caught the attention of at least two journalists (here and here) is that discovering extraterrestrial civilizations that have self-destructed, as ours threatens to do, might help us learn to avoid their fatal mistakes:  “The idea is we may learn something in the process. We may learn to better behave with each other, not to initiate a nuclear war, or to monitor our planet and make sure that it’s habitable for as long as we can make it habitable.”

Where to begin?…

In the best of all possible worlds, Loeb and I would have an intellectual cage match on this subject. I have consistently (and with increasing impatience, admittedly) taken to task the assumptions that underwrite Loeb’s views and SETI in general, on the grounds that they are anthropocentric in identifying “intelligence” with human intelligence (an identification with fatal consequences for all those other intelligent life forms with which we share the earth) and, worse, that they reify one civilization’s vector of technical development, namely that of “the West”, as being natural to all imaginable anthropomorphically intelligent life. The Enlightenment is sometimes taken to task for unconsciously restricting the human to white, ruling-class males; SETI’s assumptions seem equally, if not more, perverse.

But Loeb’s statement quoted above reveals the vacuity of his thesis. We don’t need to discover another civilization that ended itself through war, nuclear or otherwise, or by fouling its own nest. We already understand that we need avoid even a “limited” nuclear war and we already monitor the habitability of our planet, with increasing scrutiny and anxiety. The only virtue of this aspect of xenoarchaeology would be to discover a civilization that succumbed to an internal threat of which we are unaware. But even letting SETI’s frankly ideological assumptions off the hook, even such a discovery would be empty, since civilizations are each determined at each moment by a set of conditions that are in each instance radically local (historical).

My argument here cuts too against those who believe we can learn from history. Such thinking makes of human societies a kind of natural phenomenon subject to transtemporal laws. But human societies are not “natural” in the way the behaviour of the electron is natural, but historical, and, as such, admit to being not known but only understood within the context of a constellation of temporally local and ephemeral determinants. In a word, and to say too much too quickly, human societies operate within the realm of freedom not (natural) necessity. This is not to say humans beings in the aggregate escape or otherwise stand above nature, but only that it is illegitimate to seek to know them the same way we seek knowledge of nonhuman nature.

Nor am I arguing ultimately against the curiosity that drives SETI. What I am relentlessly and mercilessly critical of are the zombie ideas that make of the human being, and our present iteration of civilization, exemplars of all imaginable intelligence throughout the universe.

Ufology’s Steadystate

Working randomly toward another review for Jung’s Ufological Bookshelf, I came across the following passage from Edward J. Ruppelt’s The Report on Unidentified Flying Objects (1956):  the

“will to see” [UFOs] may have deeper roots, almost religious implications, for some people. Consciously or unconsciously, they want UFOs to be real and to come from outer space. These individuals, frightened perhaps by threats of atomic destruction, or less fears—who knows what—act as if nothing that men can do can save the earth. Instead, they seek salvation from outer space, on the forlorn premise that flying saucer men, by their very existence, are wiser and more advanced than we. Such people may reason that race of men capable of interplanetary travel have lived well into, or through, an atomic age. They have survived and they can tell us the secret of their survival. (17)

Here, in a nutshell (as it were) Ruppelt plainly states many of the assumptions that guide beliefs about UFOs and extraterrestrials to this very day.

D. W. Pasulka’s recent American Cosmic: UFOs, Religion, Technology (2019) owes much of the splash it has made to her treating the fascination for the advanced technology the UFO-as-extraterrestrial-spacecraft represents as a religious phenomenon, yet, here, Ruppelt lays bare the “almost religious implications” the idea has. (And he is hardly the last:  Festinger et al. published their classic study of a flying saucer cult When Prophecy Fails the same year as Ruppelt’s no-less-classic Report, Jung published the first, German edition of his Flying Saucers:  A Modern Myth of Things Seen in the Skies in 1958, and anthologies of articles exploring the religious dimension of UFOs and contact with their pilots have appeared since (e.g., The Gods Have Landed: New Religions from Other Worlds (ed. James R. Lewis, 1995), UFO Religions (ed. Christopher Partridge, 2003), and Alien Worlds:  Social and Religious Dimensions of Extraterrestrial Contact (ed. Diana G. Tumminia, 2007)).

A famous (or infamous) intersection of American esoteric religious tendencies, the flying saucer, and anxiety over “threats of atomic destruction” are the Space Brothers of the Contactees. But Ruppelt’s point seems more complex. The Space Brothers, “wiser and more advanced than we”, land to warn us of the unknown dangers of atomic energy and weapons, yes. But, it is “by their very existence” that they “are wiser and more advanced than we” are. Here, he articulates a too-often unspoken assumption that “social and technical advancement” go hand in hand, a questionable thesis, as I’ve argued.

Even if we disentangle wisdom from technical ingenuity, Ruppelt observes a further belief, used today to justify the Search for Extra-Terrestrial Intelligence (SETI) and hopes that Disclosure will liberate world changing technologies, namely that “that race of men capable of interplanetary travel have lived well into, or through, an atomic age. They have survived and they can tell us the secret of their survival.” SETI researchers, like all who believe UFOs are extraterrestrial spaceships, project that trajectory of historical accidents that lead to the “advanced societies” of the earth onto the evolutionary vector of all life in the universe, as if all life universally follows a path from simplicity to complexity to human-like intelligence that as it grows in complexity necessarily develops a technology whose own development is always the same. That the hubristic anthropocentrism of this assumption persists unnoticed and unquestioned among so many of both casual and more dedicated or serious believers in extraterrestrial intelligence never ceases to appall me.

More gravely is how the UFO believers Ruppelt describes “act as if nothing that men can do can save the earth”, a sentiment echoed by German philosopher Martin Heidegger’s words twenty years after Ruppelt’s  (quoted by Pasulka to end her book):  “Only a god can save us.” Not twenty years after Heidegger’s words were finally published, Jacques Vallée in the Conclusion to his Revelations (1991) remarks the same situation and despairing response:

…Technology offers us some breakthroughs the best scientists of thirty years ago could not imagine. Better health, plentiful leisure, longer life, more varied pleasures are beckoning.

Yet the hopeful vistas come with a darker, more disquieting side. There is more danger, crime, environmental damage, misery, and hunger around us than ever before. It will take a superhuman effort to reconcile the glittering promises of technology with the utterly disheartening dilemma, the wretched reality, of human despair.

But wait! Perhaps there is such a superhuman agency, a magical and easy solution to our problems:  those unidentified flying objects that people have glimpsed in increasing numbers since World War II may be ready to help…. (254)

The ironies of this despair are manifold. On the one hand, it is believed that technology alone can solve the problems its development has led to. On the other hand, these technological answers are not forthcoming from our technology. In either case, as Vallée worries, the desperate and credulous are subject to being manipulated by their belief that “only a god [or “that race of men capable of interplanetary travel”] can save us.”

What should be no less concerning for those interested in such matters is how these ideas Ruppelt describes over six decades ago persist in governing if not grounding what we imagine and think UFOs—and, more importantly, ourselves—to be.

 

The Extraterrestrial Hypothesis: Symptom or Pathology?

David Clarke in his How UFOs Conquered the World:  The History of a Modern Myth refers to the “UFO Syndrome”, “the entire human phenomenon of seeing UFOs, believing in them and communicating ideas about what they might be” (12), what I have called “ufophilia” (and am tempted to term, sometimes, “ufomania”). Even before George Adamski published his story of meeting a man from Venus, a latter-day Lord of the Flame, in 1953, and even before Project Sign’s famous Estimate of the Situation, desperate to explain the recalcitrant mystery of high-performing aeroforms intruding on American airspace, the public imagination had already ventured that Flying Saucers might be spaceships from another planet populated by Extraterrestrial Intelligences (ETIs), an explanation for UFO and close encounter reports that later came to be called the Extraterrestrial Hypothesis (ETH). Though the notion of ETI was already in the air, the most notorious example being Orson Welles’ 1938 The War of the Worlds radio broadcast, the idea as such runs much deeper, and, in its ufological guise as an element of the UFO Syndrome, possesses graver implications.

flying_saucers_are_real_cover_keyhoeAn important ufological popularizer of the ETH is Donald Keyhoe. In his first book, The Flying Saucers are Real (1950), he wrestles with the question of the origin of the flying discs. Having been pushed to the ETH by a process of elimination, he tries “to imagine how they [ETIs] might look” (136). Having read what he could of what we today call exobiology, he understands that there are “all kinds of possibilities.” Then, he makes a telling confession:

It was possible, I knew, that the spacemen might look grotesque to us. But I clung to the stubborn feeling that they would resemble man. That came, of course, from an inborn feeling of man’s superiority over all living things. It carried over into the feeling that any thinking, intelligent being, whether on Mars or Wolf 359’s planets, should have evolved in the same form.

Keyhoe, here, is either ignorant (which he certainly seems to be concerning evolution) or disingenuous. The “stubborn feeling” that the ET pilots of the flying saucers “would resemble man” is hardly “inborn”. A longstanding thesis among thinkers concerned with the ecological crisis is that the thoughtless abuse of the natural world by, especially, Western industrial society is aided and abetted by its Judaeo-Christian heritage. Famously, in Genesis, man is made in God’s own image (I.26) and given dominion over creation (I.27) (an idea mocked with a theosophical flavour in Yeats’ early poem “The Indian Upon God”!). This (what a philosopher might term ontotheological) anthropocentrism is the source of Keyhoe’s feeling and more importantly it serves to reinforce capitalism’s assumption that anything and everything on (and off!) the earth is a potential resource to be exploited for profit.

There’s a strikingly illustrative scene in the film Clearcut (1991). The manager of a logging company is abducted by an ambivalent character, who is either a Native militant or, more interestingly, a nature spirit come to revenge the ruthless clearcutting of the forest. The manager is tortured in ways that mirror the loggers’ treatment of trees and, at one point, the militant holds the manager over a cliff overlooking a breathtaking natural vista, asking him, “What do you see? What do you see?” to which the manager answers, desperately mystified by the question, “Nothing!”. The fateful confluence of the Judaeo-Christian ontotheological anthropocentrism and the rapaciousness of capitalism blind humankind to both nonhuman intelligence and the innate value of nonhuman life. I have argued at length elsewhere that any unprejudiced reflection on and consequent non-anthropocentric conception of intelligence radically dethrones and decenters whatever human intelligence might believe itself to be. It might appear ironic, then, that The Anomalist can share links to UFOs and Contactees in the same space as others to new discoveries in the realm of plant and animal intelligence.

orthon
Orthon (l) and George Adamski (r)

Another irony is discernible in the concerns expressed by both the Space Brothers and other ETs. If the ETH is underwritten by a religiously-inspired anthropocentrism that in turn supports the economic system whose activity has in a matter of hardly two centuries resulted in the latest mass extinction, then the striking anthropomorphism of ETs might be said to be an imagination at the very least consistent with this catastrophically destructive social order. However, as is well-known, the Space Brothers of the Contactees landed to warn us of the dangers of atomic weapons, while abductees or Experiencers report being shown distressing images of nuclear war and environmental destruction; there has been from the start an environmental/ecological dimension to ET encounters, consistent with the view that the reports are inspired by the anxieties engendered by technoscientific development in so-called advanced societies.

As compelling is the case that the ETH is a symptom of a deeper, mortal malaise in Western society, the matter is, of course, more complex. In his Pulitzer Prize winning book of poetry Turtle Island (1974), Gary Snyder writes (47):

…Japan quibbles for words on

what kinds of whales they can kill?

 

A once-great Buddhist nation

dribbles methyl mercury

like gonorrhea

in the sea.

Here, Snyder reminds us that the relation between religion and economy is a complicated question; however much the Judaeo-Christian idolization of the “human form divine” is harmonious with the profit-driven and otherwise mindless exploitation of the natural world, religious views that, in this case, are overtly concerned with non-human life exist, however uneasily, alongside such insensitive destructiveness. There is, moreover, an analogous paradox in certain aboriginal worldviews, which, on the one hand, speak of “the flying people” (birds) and “the crawling people” (snakes) and that have been the inspiration for radical ecological initiatives, such as the push to give rivers and ecosystems rights under the law, while on the other, their understanding of the UFO phenomenon invokes stories of Star People, who, at first glance, seem to be as humanoid as any Venusian. These paradoxes pose new questions and open curious avenues of investigation regarding the globality of the UFO phenomenon and the equally global extent of the society whose technoscientific character the ETH might be said to reflect and affirm.

The theme, as poet Walt Whitman would say, has vista. The belief in ETI is itself paradoxical in character:  it is both widely-held (by more than half the population in the US, UK, and Germany) but thought unserious, fit only to inspire light entertainments or crackpot obsessions. Yet, as the psychoanalytic study of the trivial shows, the margin reflects the deepest concerns of the centre; indeed, that these concerns are exiled as flaky is precisely a sign of their gravity. The ETH symptomatically expresses profound aspects of human self-regard that have equally grave consequences for social behaviour.