The old Protagorian con

In the comments on a particularly Gnostic-pessimistic post at UFO Conjectures, one interlocutor makes the following remark:

‘Creation’ is humanity’s ‘raison d’etre’ and is ultimately what distinguishes us from other sentient creatures, including other intelligent ‘higher primates’.

Ok, apes, crows & other species make tools &/or elaborate constructions to attract potential mates but there’s no orang-utan ‘Art’ or chimp ‘Science’ (beyond figuring out how best to access food).

My first impulse was to question this claim factually, with a quick internet search, which revealed, among other things, the arfulness of Amblyornis inornatus (Vogelkop Bowerbird). I was also reminded of a remembered passage from Joseph Campbell’s Primitive Mythology describing a circular dance by, I think, chimpanzees. But then on some reflection I realized I’d fallen for the particularly insidious assumptions that underwrite the claim for humankind’s special, creative status.

The bias of the thinking is revealed by analogy with the comparison of “advanced” to “primitive” cultures, by and to the advantage of the former. As Jerome Rothenberg observes in the Pre-face to his groundbreaking assemblage, Technicians of the Sacred (1967):

“Measure everything by the Titan rocket & the transistor radio, & the world is full of primitive peoples. But once change the unit of value to the poem or the dance-event or the dream (all clearly artifactual situations) & it becomes apparent what all these people have been doing all those years with all that time of their hands.”

In the same way, measure everything by the Sistine Chapel or Quantum Mechanics, and the world is full of uninspired, dim nonhuman animals, but once change the unit (or focal species) of measurement, and the world thrives with not only creativity and intelligence, but nonhuman powers and virtues, as well. The young William Butler Yeats mocks anthropocentric pretense with an eloquent simplicity in his poem “The Indian Upon God”.

There’s a reason philosophers in the Twentieth century coined the expression ‘ontotheology’: for the fateful confluence of Judeaochristianity (in which Man is created in God’s own image) and Platonism (and, with it, the inheritance of Hellenic thought) shores up an anthropocentrism that has reigned from then until now. It was most famously Protagoras of Abdera who is said to have stated that “Of all things the measure is Man, of the things that are, that they are, and of the things that are not, that they are not,” usually rendered as “Man is the measure of all things.”

The identification of “creativity” with human creativity is part and parcel of the identification of “intelligence” with human intelligence that roots and orients the Search for Extraterrestrial Intelligence and the Extraterrestrial Hypothesis about the origin of UFOs. It is also, arguably, this anthropocentricism that justifies the ways of Man to himself in his exploitation of every being on (and, in the planning stages) off the earth as either raw material or commodity, a mode of behaviour that has resulted, most poetically, in mussels being cooked alive at low tide in the superheated waters off the coast of California.

Photograph: Jackie Sones

 

2 thoughts on “The old Protagorian con

  1. <>

    Why is that? Why do you think those with superior tekhne look down on the “savages” while simultaneously romanticizing their innocence through guilt-tinted lenses? It’s not something that began with capitalism or even empire-building.

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    1. Why is _what_, exactly?

      I’m not sure exactly why those who fetishize the marks of their own superiority look down on those that lack these marks, but the modern version of this judgement, within the horizon of capitalism, is the most pertinent. When Tacitus looks down on the most primitive of German tribes, he does so with no hint of guilt!

      The point, though, is the _logic_ of the judgement, and, as Rothenberg remarks, its terms, which seemed analogous to me: homo technicus : (relatively) homo primitivus :: homo sapiens : other animals…

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