As Kevin Randle and others have remarked, recent U.S. Navy pilots’ encounters with UFOs are nothing we haven’t seen before. Since the Second World War, air force pilots have observed, pursued, and even fired on what appear to be aeroforms capable of instantaneously accelerating to hypersonic speeds, making impossible forty-five degree angle turns, and stopping, all performance features that outstrip the aircraft of the day. And then just as now it was speculated whether or not these aeroforms were domestic or foreign (not necessarily extraterrestrial) experimental aircraft. But beneath these analogues, a deeper pattern is discernible.
It’s an old chestnut of the Ancient Astronaut / Alien line of thinking that the culture heroes of world mythology, those deities that gifted humankind with fire (Prometheus) or writing (Thoth) for example, were in truth extraterrestrials leading homo sapiens down the path of technological development. A not unrelated story concerns the back-engineering of extraterrestrial technology recovered either from crashed saucers or intact ones secured through agreements with their pilots’ civilizations. On our own or under the guidance of ET advisors, the study of ET-tech has given us the transistor and fibre-optics (as Philip J. Corso contends in his 1998 book The Day After Roswell) and promises free-energy technology, and, with it, the advanced aeroform of the flying saucer, which, some believe, the American military or some break-away civilization has already developed.
A more circumspect version of such reflections was recently expressed by Dr Garry Nolan, who, thinking out loud, imagines the possibility that metamaterials left as physical traces of UFO sightings may be a gift, a kind of clue, so that their unusual characteristics might prompt us not only to develop ways to reproduce them but to imagine uses for them. The 2018 film UFO presents a similar scenario, where the mathematics needed to understand the ETs’ communications becomes increasingly complex, leading researchers along a line of mathematical and physical speculation toward the understanding of nature that enabled the ETs to overcome precisely the same threats to the survival of civilization we now face. In the same way such metamaterials function as hints to lines of inquiry, the aerial antics of the UFO become (in the words of Tyler Rogoway) a kind of “Holy Grail of aerospace engineering.”
Extraterrestrial technology becomes, then, either retro- or prospectively, a projection of next generation human technology. On the one (sociopolitical) hand, this projection is an expression of the ideology of the so-called advanced societies: one haphazard inflection of human civilization imagines itself to be in line with a pattern of technological development characteristic of intelligent life universally, the kind of thinking that underwrites Maitreya Raël’s claim that his extraterrestrial teachers, the Elohim, are “25,000 years ahead” of us. On the other (more mythological) hand, the extraterrestrial symbolizes the alpha and omega, the arche and telos, of technological humanity: ET either gifts us technology or teaches us by means of teasing puzzles; more radically, in other speculations, ET interbreeds with us or biotechnologically “makes us in His own image” to raise us to its own level.
The Extra-Terrestrial, then, can be understood as an eminently mythological figure, “mythological” in the sense of making universal and necessary an historical contingency (reifying this moment of technological civilization) and, in a more compelling sense, an emblem of that reification, an idol embodying “the essence of technology”, simultaneously a transformation of the Promethean culture hero and a radical revision that remakes the mythic past in the image of now or what we thereby imagine tomorrow to be.