I was working on a forthcoming review of D W Pasulka’s American Cosmic: UFOs, Religion, and Technology, wherein I had bookmarked the section concerning synchronicities and religion, as I had planned to integrate some of her reflections in my previous post. I had already read (synchronicitiously!) during my morning coffee-and-surf session an article about synchronicities and “information-ontology” (an article that calls for a response in itself!) that remarked Pasulka’s reflections, and my Facebook feed served up an article critical of the upcoming Peterson / Zizek debate, which, in turn, linked me to How Capitalism Can Explain Why an Encounter with Aliens Is Highly Unlikely by Charles Tonderai Medede.
Anyone familiar with Skunkworks will know a long-standing and oft-repeated thesis of mine is that the thought of technologically-advanced extraterrestrial civilizations is merely an anthropocentric projection of one civilization on earth whose appearance has more to do with a tenuous thread of accidents than the triumphal march of a necessary (let alone a universal) Progress. And though I’ve been making this argument in various media since the mid-Nineties, never had I heard an echo (never mind glimpsed an affirmative nod) until I read Medede’s article.
Medede’s argument is similar to mine: technoscientic civilization as is familiar to those of us living in the so-called “advanced” societies is the result not of some transhistorical cultural necessity but is the result of cultural and even climactic accidents, e.g., the advent of capitalism in the Sixteenth century or that of the Holocene whose temperate climate allowed for the development of agriculture and settled society. Medede’s account has the added virtue of weaving Capitalism into that history of contingencies that lead to the present precarious moment of modernity. Interested parties will read (if they have not already read) his article, linked above.
My most serious disagreement with Medede is that the question “Why should aliens be technologically advanced?” “has never been properly considered”!
The initial impulse behind this blog was to keep me honest. I’ve been at work (mainly on various drawing boards) on a long poem, whose working title is Orthoteny, that aspires to do for the UFO mythology what Ovid’s Metamorphoses did for classical mythology. And though I’ve test-flown various prototypes—poems such as “Flying Saucers”, “Will o’ the Wisp”, “Q’ Reveals the Real Secret Space Program”, and “Magonian Latitudes” and the sequence On the Phantom Air Ship Mystery—the work on Orthoteny had stalled, and when UFO Conjectures publicized my chapbook on the Phantom Airship Mystery, I imagined that developing the work in public would be a way of holding myself accountable.
One way of getting toward the poem is to imagine the countless stories around the UFO as constituting a “modern myth of things seen in the sky” and to read it as such. Many of the posts at Skunkworks have been just that, interpretations of various aspects of the myth as it has been developed since 1947. Complementing this hermeneutic labour has been reading classics of the canon to grasp their respective contributions to the myth and the poetic resonances within and between them.
But flying a parallel path to my poetic endeavors has been a cultural critical approach to the phenomenon. Already in 2000 with my collaborator Susan Palmer I published a study of the Raelian Movement International “Presumed Immanent” that argued that the UFO mythology was intimately bound up with and revelatory of the technoscientific spirit of modernity; that, like a collective dream, it expressed the anxieties and aspirations of the “advanced” societies and, at the same time, provided leverage for an ideological critique of that spirit; that, the UFO, like a funhouse mirror, reflected the truth of modernity back to it, but in a distorted form. Many of the posts here this past year have explored this thesis from various angles and in greater detail.
And despite being avowedly concerned exclusively with the meaning rather than the being, nature or truth of the phenomenon, with what I have called “the UFO Effect”, as any assiduous student of deconstruction will know, such distinctions, by their very separating two fields, unify as much as divide. For this reason, I have, at times, touched on matters more properly ufological, despite always attempting to steer back into the phenomenological lane.
On the immediate horizon is an omnibus review of three books that seek to bring ufology into the Twenty-first century, reviews of two books by religious studies scholars that touch on two different aspects of the phenomenon (one of which is D.W. Pasulka’s American Cosmic), and further entries in the series “Jung’s Ufological Bookshelf”. On the drawing board are more than a dozen other posts-in-the-working on the weaponization of the myth, various aspects of its sociopolitical implications, as well as some others on the peculiar logic of ufology. I hope too to address some English-language poetry about UFOs as a way of mapping what in fact has been accomplished in this direction. And of course given the nature of the phenomenon and the mill of rumour and speculation it drives I’ll be always on the lookout for synchronicitious inspirations for developments unimagined by my present philosophy to address.
To this first year’s readers: thank you for your interest and your occasional interventions. And special gratitude is extended on this occasion to Rich Reynolds for outing my ufological predilections a year ago.
David Clarke in his How UFOs Conquered the World: The History of a Modern Myth refers to the “UFO Syndrome”, “the entire human phenomenon of seeing UFOs, believing in them and communicating ideas about what they might be” (12), what I have called “ufophilia” (and am tempted to term, sometimes, “ufomania”). Even before George Adamski published his story of meeting a man from Venus, a latter-day Lord of the Flame, in 1953, and even before Project Sign’s famous Estimate of the Situation, desperate to explain the recalcitrant mystery of high-performing aeroforms intruding on American airspace, the public imagination had already ventured that Flying Saucers might be spaceships from another planet populated by Extraterrestrial Intelligences (ETIs), an explanation for UFO and close encounter reports that later came to be called the Extraterrestrial Hypothesis (ETH). Though the notion of ETI was already in the air, the most notorious example being Orson Welles’ 1938 The War of the Worlds radio broadcast, the idea as such runs much deeper, and, in its ufological guise as an element of the UFO Syndrome, possesses graver implications.
An important ufological popularizer of the ETH is Donald Keyhoe. In his first book, The Flying Saucers are Real (1950), he wrestles with the question of the origin of the flying discs. Having been pushed to the ETH by a process of elimination, he tries “to imagine how they [ETIs] might look” (136). Having read what he could of what we today call exobiology, he understands that there are “all kinds of possibilities.” Then, he makes a telling confession:
It was possible, I knew, that the spacemen might look grotesque to us. But I clung to the stubborn feeling that they would resemble man. That came, of course, from an inborn feeling of man’s superiority over all living things. It carried over into the feeling that any thinking, intelligent being, whether on Mars or Wolf 359’s planets, should have evolved in the same form.
Keyhoe, here, is either ignorant (which he certainly seems to be concerning evolution) or disingenuous. The “stubborn feeling” that the ET pilots of the flying saucers “would resemble man” is hardly “inborn”. A longstanding thesis among thinkers concerned with the ecological crisis is that the thoughtless abuse of the natural world by, especially, Western industrial society is aided and abetted by its Judaeo-Christian heritage. Famously, in Genesis, man is made in God’s own image (I.26) and given dominion over creation (I.27) (an idea mocked with a theosophical flavour in Yeats’ early poem “The Indian Upon God”!). This (what a philosopher might term ontotheological) anthropocentrism is the source of Keyhoe’s feeling and more importantly it serves to reinforce capitalism’s assumption that anything and everything on (and off!) the earth is a potential resource to be exploited for profit.
There’s a strikingly illustrative scene in the film Clearcut (1991). The manager of a logging company is abducted by an ambivalent character, who is either a Native militant or, more interestingly, a nature spirit come to revenge the ruthless clearcutting of the forest. The manager is tortured in ways that mirror the loggers’ treatment of trees and, at one point, the militant holds the manager over a cliff overlooking a breathtaking natural vista, asking him, “What do you see? What do you see?” to which the manager answers, desperately mystified by the question, “Nothing!”. The fateful confluence of the Judaeo-Christian ontotheological anthropocentrism and the rapaciousness of capitalism blind humankind to both nonhuman intelligence and the innate value of nonhuman life. I have argued at length elsewhere that any unprejudiced reflection on and consequent non-anthropocentric conception of intelligence radically dethrones and decenters whatever human intelligence might believe itself to be. It might appear ironic, then, that The Anomalist can share links to UFOs and Contactees in the same space as others to new discoveries in the realm of plant and animal intelligence.
Another irony is discernible in the concerns expressed by both the Space Brothers and other ETs. If the ETH is underwritten by a religiously-inspired anthropocentrism that in turn supports the economic system whose activity has in a matter of hardly two centuries resulted in the latest mass extinction, then the striking anthropomorphism of ETs might be said to be an imagination at the very least consistent with this catastrophically destructive social order. However, as is well-known, the Space Brothers of the Contactees landed to warn us of the dangers of atomic weapons, while abductees or Experiencers report being shown distressing images of nuclear war and environmental destruction; there has been from the start an environmental/ecological dimension to ET encounters, consistent with the view that the reports are inspired by the anxieties engendered by technoscientific development in so-called advanced societies.
As compelling is the case that the ETH is a symptom of a deeper, mortal malaise in Western society, the matter is, of course, more complex. In his Pulitzer Prize winning book of poetry Turtle Island (1974), Gary Snyder writes (47):
…Japan quibbles for words on
what kinds of whales they can kill?
A once-great Buddhist nation
dribbles methyl mercury
in the sea.
Here, Snyder reminds us that the relation between religion and economy is a complicated question; however much the Judaeo-Christian idolization of the “human form divine” is harmonious with the profit-driven and otherwise mindless exploitation of the natural world, religious views that, in this case, are overtly concerned with non-human life exist, however uneasily, alongside such insensitive destructiveness. There is, moreover, an analogous paradox in certain aboriginal worldviews, which, on the one hand, speak of “the flying people” (birds) and “the crawling people” (snakes) and that have been the inspiration for radical ecological initiatives, such as the push to give rivers and ecosystems rights under the law, while on the other, their understanding of the UFO phenomenon invokes stories of Star People, who, at first glance, seem to be as humanoid as any Venusian. These paradoxes pose new questions and open curious avenues of investigation regarding the globality of the UFO phenomenon and the equally global extent of the society whose technoscientific character the ETH might be said to reflect and affirm.
The theme, as poet Walt Whitman would say, has vista. The belief in ETI is itself paradoxical in character: it is both widely-held (by more than half the population in the US, UK, and Germany) but thought unserious, fit only to inspire light entertainments or crackpot obsessions. Yet, as the psychoanalytic study of the trivial shows, the margin reflects the deepest concerns of the centre; indeed, that these concerns are exiled as flaky is precisely a sign of their gravity. The ETH symptomatically expresses profound aspects of human self-regard that have equally grave consequences for social behaviour.