A Note on Twin Peaks Season 3 and Trinity: The Best-Kept Secret

I ended my review of Jacques Vallée’s and Paolo Harris’ Trinity: The Best-Kept Secret noting that the book, because of its suggesting a connection between the detonation of the first atomic bomb and the Unidentified Aerial Phenomena (UAP!) crash it investigates, finds “its place between the covert fictions of George Adamski (whose Venusians came to warn us of the dangers of atomic energy) and the overt fiction of David Lynch’s Twin Peaks.” Since, I’ve become aware of certain uncanny motifs Trinity and Twin Peaks share.

Vallée has made no secret of his intuiting a connection between the Trinity “test”, “the emergence of our civilization into, essentially, the nuclear age,” and the San Antonio crash. What crashed was said to be egg-shaped (like an avocado). From a damaged side of the ship, diminutive pilots were said to have emerged, who were compared to Praying Mantises, Fire Ants, or Jerusalem Crickets.

It’s hardly unique to perceive the advent of atomic weapons as a fateful development in human history. For Vallée, evidence of our having entered the Atomic Age precipitated a non-human intervention, however ambiguous. In David Lynch’s Twin Peaks, Season 3, Episode 8, the Trinity test, too, disturbs a barrier between our world and some other, opening the way for no less mysterious, inhuman agents (the “Woodsmen”) and unnatural evil. The otherworldly origin of these beings and others is tied into the UFO mythology by Lynch’s recasting Project Blue Book (that thematically rimes with the series’ motif of “the Blue Rose”) as an investigation into just these beings and their nature.

In Episode 8, the Trinity test is followed in the next scene by the arrival of the Woodsmen through a weird portal in an abandoned convenience store somewhere in the American Southwest. The action shifts to an otherworldly void, where an amorphous if feminine figure emits an ectoplasmic vomit.

This extrusion seems a stream of unnatural evil that will manifest itself in our mundane reality in various ways. One of these is the landing of an egg (some visible in the still, above) in the general vicinity of the Trinity test and the convenience store, which will hatch a weird frog-moth hybrid that eventually makes its way into the mouth and down the throat of a hapless young woman, to possess or impregnate her.

The parallels are as striking as they are mystifying: the Trinity test is supernaturally momentous, triggering an opening between worlds and the intrusion into ours of the denizens of that other. In both imaginings (and Vallée’s and Harris’ is an imagining, being a reconstruction from hearsay), this intrusion manifests as an egg out of which emerge unnatural (however animal-like) beings. Here, I only register these shared motifs and venture no further speculations (though some suggest themselves: the oval shape of the first A-bombs and the connotations of the egg in general, the unnaturalness of mutated creatures, etc.), other than to note that the source of “the myth of things seen in the skies” works in mysterious ways!