Regular readers here might be surprised to be reminded of Skunkworks’ raison d’être, namely, to showcase the work that goes into a long poem project attempting to portray the infinite stories of UFOs as a mythology, somewhat after the fashion of Ovid’s Metamorphoses (that so artfully collated and presented the mythology of his time and place) and somewhat in the manner of Ezra Pound’s Cantos or Charles Reznikoff’s Testimony ( among other exemplars). Some of these attempts are readable here at the Skunkworks via the “poetry” tag.
In this regard, it’s a pleasure today not to have to compose something of my own, but direct readers to an article by Tony Trigilio, the author of Proof Something Happened, a poetic treatment of the Barney and Betty Hill abduction, viewed by many to be the archetype of the experience. In his piece, “Writing What You Don’t Know”, Trigilio describes composing this latest book (among others), referring, along the way to other poets who have dealt—quite explicitly—with “Martians”: Craig Raine, Robert Hayden, and Jack Spicer. As he writes, his book
does not attempt to solve whether something physically happened to the Hills that evening. The poems take no stand on the possibility of extraterrestrial life and alien abduction. The collection presumes only that the three hours of “missing time” the Hills experienced in the White Mountains truly did happen psychologically, whether caused by an alien abduction or something else on the fringes of the known. As the poems explore the aftermath of that evening in 1961, they emphasize the Hills’ struggle to understand their terrifying dreams and disjunctive flashbacks…
Such experiences, or, more importantly, how the come to occupy a place on the margins of culture, “arcane” in Trigilio’s terms, serve, ironically, to reveal as much about the heart of culture, if in a refracted, “alienated” way.